Clockwork Droid, Part 4

Work on the costume has been slow, because I like to work on too many things at once. I'm also working on a Super Secret Crochet Project for someone whose birthday is the day after Halloween, so I took a break from my costume to get a big chunk of that done. I switched back to the costume when a friend at work invited us to a Halloween party next Friday. I have one week to get everything finished.

Here is where I am right now:

I've hemmed the ruffle on both sleeves, which is probably the hardest part. I hate hemming, because it seems like no real progress is being made. Also, I had to fold the fabric over twice to keep the raw edges from unraveling and showing through. To top it off, I'm sewing this entirely by hand. My craft room has too much other stuff to allow for a sewing machine, especially since I sew so rarely.

Anyway, the hemming is done (yay!). I've sewn the ruffle to one sleeve. Now I just need to sew the other ruffle on, sew up the side seams, and put the sleeves into the dress itself. I want to get as much done this weekend as possible.

After I finished the side panel and shoulder seams, I was able to try on the dress for fit. Drumroll, please...

Yay awkward selfie!

Fits pretty well, I'd say. Don't worry; I'll have Jason take the "after" picture rather than try to do it myself in the bathroom mirror.

ALSO: If you are looking for costume ideas you need to check out Take Back Halloween. It's the polar opposite of "sexy cop/nurse/Big Bird/whatever" that seems to be everywhere these days. The costumes on Take Back Halloween are all inspired by women from history and mythology. I have to admit I wasn't familiar with quite a few of the people mentioned, but they have a biography for each person to go along with her costume. And all of their costumes are no-sew! A few are DIY but most include links to buy the separate pieces.

This one is my favorite: Lasiren, the Haitian sea goddess.

Via

Gorgeous! And a fascinating back story, too.

Happy costuming, everybody! Now back to my sewing needle.

Clockwork Droid, Part 3

The front panel is sewn in! But before I show you that, here is my mask tutorial. This was the first part of the costume I started working on, back in 2010. The costume was originally going to be for Chicago TARDIS, but then I realized it would need a lot more work than I would have time to complete.

I started with a plain white mask from Michaels, similar to this one:

Via

You can't tell with the black background, but there was nothing covering the eye holes. I found a Halloween mask on clearance and cannibalized the eye hole fabric from that. I attached it with my trusty hot-glue gun. It looks opaque from the front, but I can still see through it just fine.

Then I went to work on the front. I sketched out the basic design in pencil first, then traced over it with Sharpie markers. I used a turquoise marker to match the dress, along with pink, black, and silver.

My initial thought was that silver coordinated more than gold would. I was going to leave it like that, but after my costume search I decided to try it with gold instead. I got a tube of gold puff paint to cover up the silver lines. As you can see, it was kind of tricky to get an even flow at first.

Still, I think it came out pretty well. I was looking at the mask this morning and realized that I had forgotten the line directly underneath the left eye, so I went back and added that in. I also did another thin line on the left to match the thicker line on the right and added a big glob above the nose to match the texture of the original mask from the show.

I may even go back and add more in the little spot above the nose, but first I need to see how it looks when the paint is fully dried.

Stay tuned--next time there will be pictures of the dress, including my first time trying it on after tearing it up.

Clockwork Droid, Part 2

The costume is coming along quite nicely. I went back to the fabric store today to get the rest of my supplies, and now I can picture how the dress is going to look when everything is finished!

I sewed in the new front panel, but only on the bottom. I had to leave the sides undone so I could embellish the front. As I mentioned in the last post, I sewed the new fabric onto the edge of the existing fabric and then cut the old fabric away. You can tell from looking at the inside of the dress, but it's not noticeable at all from the outside.

I used the same fabric for the bottom of the sleeves...and then I was out of fabric. I also had no embellishments for the front. I tried playing around with the leftover lace, but as you can tell the results were not promising.

Not quite what I was looking for. So today I headed back to the fabric store to buy something for the sleeves and ribbon for the front. I brought a sample of the original fabric to try and match the color as much as possible.

None of the solids matched, but I did find a pattern that had a darker turquoise on a background that was darn near exactly the same color. Then I found a nice wide ribbon in the darker turquoise to tie everything together.

After playing around with different ways to attach the ribbon, I settled on gathering it just in the middle, with four lengths of ribbon across the front.

Next I added in the fabric for the sleeves, to see how everything looks together.

Right now it's all just laid out on the floor. Next comes sewing it all together! 

Of course, no clockwork droid costume would be complete without the mask. I'll do a quick post on that as well, so stay tuned.

Clockwork Droid, Part 1

As promised, here are some progress shots on my clockwork droid costume! We shall begin with the "before" picture: me in my $10 secondhand bridesmaid's dress.

I'm so glad I never had to wear this in public.

The tag says it was originally from JCPenney, but I found it at Goodwill. There are three main problems I had with it: the sleeves, the neckline, and the middle panel in the front (which includes the solid fabric under the lace). The sleeves are too puffy, obviously. I decided to replace the front panel with white fabric and a square neckline.

The first step was to take out the fabric I didn't want. I used a seam ripper to remove the stitches without cutting the fabric. I removed the sleeves first and then deconstructed the front of the dress:

I used a square-neck sweater to figure out how deep I wanted the new neckline to be, then I traced around the rest of the panel to create a pattern on tissue paper.

Yes, that's Christmas polka dot tissue paper. WHAT.

My initial thought was to sew the solid white fabric under the lace, so I started by cutting the lace. I also considered leaving the turquoise fabric in place, but ultimately decided it would be too distracting. You can tell from the second photo that everything is still attached to the skirt. There's no way to remove it without also undoing the gathers on the skirt, so I think I'm going to sew the white fabric onto the turquoise and then cut the turquoise off.

Here's the cut fabric for the replacement panel. I sewed around the neckline and turned it inside-out. I had to press it to make it lie flat, which I had never done before. My previous sewing experience is about equal parts repairs and doll clothes, with only a couple larger projects here and there. I kept the iron on its lowest setting because I was afraid of scorching the fabric. I probably could have turned it up a bit, though. The edges of the fabric were fraying like crazy, so I whip-stitched loosely around the very edge to try and curb it. It's an inherent problem with the fabric--the edges of the skirt are fraying too.

Before I sew it into the dress I'm going to embellish it with a ribbon or bows. I'll need to visit the fabric store for the ribbon and play around with it for a bit before I decide on the final design. I'm probably going to need more fabric for the sleeves, too. I bought an actual pattern to use for the sleeves (lower right). If I'm ever feeling really ambitious I may try making the whole dress, although that won't be for this Halloween.

In Defense of Casual Costuming

It's mid-September, which naturally means it's time to start planning for Halloween! I have this costume that I started working on a couple years ago. When I first started watching Doctor Who, one of the first episodes I saw was "Girl in the Fireplace." Aside from recognizing Sophia Myles (Reinette) from Moonlight, the most memorable part of the episode was the clockwork droids:

I've wanted to do a droid costume ever since. I got a plain mask from Michaels, which I decorated with Sharpie markers in a design similar to the ones seen in the show. I found a bridesmaid's dress at Goodwill which I thought would be good with some added lace at the neck and sleeves.

Yesterday I went looking for more pictures to figure out how I was going to modify the dress. Then I started looking for other people who had done cosplay droids, to see if they had any tutorials. In addition to some truly amazing costumes (see here and here and especially here) I kinda got the feeling that my idea wasn't good enough. It can be inspiring to look at other people's work, but it can be intimidating too.

There was one blog post in particular, which I will not link to, that left me feeling down. The guy who did the costume--which was honestly very good--was boasting about how his droid costume was better than all the others at the convention. He made a snide remark about someone else's costume, saying that her final mask was worse than his first attempt.

On the one hand, screw that guy.

On the other hand...well, screw that guy.

But at the same time, he's not the first person I've encountered to have that attitude, and he won't be the last. There are people in the cosplay community who feel a "casual attempt" at a costume is worse than no costume at all. "You think you can be the Eleventh Doctor with a just a suit jacket and a bowtie?" they sneer. "GTFO, noob. That's the wrong tweed fabric! Obviously! And your buttons are a quarter inch too small! And that shirt is all wrong! Don't know anything?" I won't even get into the problem of judging the person wearing the costume. That is another post for another day.

I have nothing against people who want to make their own costumes 100% screen-accurate. If that's what you want to do, more power to you. Just don't expect everyone to share your attitude. Most importantly, don't look down on those who take a different, more "casual" approach.

At its best, costuming is about showing off your talents and learning new ones along the way. The woman who decided to hide inside the dress and top it with a transparent head? Her costume is effing brilliant, and she deserves every bit of praise she gets for the hundreds of hours she put into it.

And the guy in the "wrong" jacket and bow tie? Maybe he's been too shy to cosplay before. Maybe this is his way of saying he's a fan of the show. Maybe he searched a dozen thrift stores to find that jacket because he can't afford the official replica.

Maybe he just wanted a costume he could put together in fifteen minutes. Is that so wrong? People cosplay for a million different reasons, and they're not always going to be the same as yours or mine.

In conclusion: If you can't say something nice about another person's costume, don't say anything at all.

I'll be posting progress pics soon on my own costume, so stay tuned!

Disney Princesses: Heroes or Villains?

I grew up in the 1990s, which meant that something I looked forward to every summer was the new Disney movie. The Little Mermaid was my first "favorite" movie, and I still have the often-watched VHS tape my parents bought for me as a tyke. As I grew older I started looking at different perspectives on the "Disney Princess" brand, and how they are supposedly ruining today's generation of girls.

I will say right off the bat that today's toys are being marketed in a manner that is far too gender-specific. Also, the "Disney Princess" brand takes a lot of liberties with the characters. There was a lot of noise back when Merida joined the official lineup and was made to look more "cute and feisty" than, well, brave. Oh, and apparently Disney princesses are contractually obligated to wear clothing that is 50% glitter by volume.

But what about the actual movies? What kind of messages are they sending to girls? As it turns out, there are two sides to every princess. I'll give my quick summary of each movie, from a positive and negative perspective.

Cinderella
Positive: This movie has more female characters than male; the plot is driven by a memorable villainess and the heroine has a literal fairy godmother looking out for her. It easily passes the Bechdel Test (Cinderella talks to her stepmother and fairy godmother about going to the ball).
Negative: The heroine and title character does NOTHING to save herself from her situation. Literally nothing. The birds and mice make her first dress (without her knowledge); fairy godmother makes the second. Even at the end, when she's locked in her room, she doesn't try to escape. The mice have to save her again.

Sleeping Beauty
Positive: Like Cinderella, this movie has a mostly female cast. Maleficent stands out as one of the most memorable villains, male or female, from the Disney animated canon. Can any of the other villains turn into a FREAKIN' DRAGON? I didn't think so. Also, in the final battle, the fairies are the ones leading the charge. Prince Philip would not have gotten nearly as far as he did without their help. This movie passes the Bechdel Test, as the fairies talk about Aurora often. As does Maleficent.
Negative: Once again, our heroine is completely passive. The only thing she does on her own is sneak out into the woods, where she winds up in Love At First Sight (R) with her prince.

The Little Mermaid
Positive: Ariel is the first princess who decides to go after what she wants--and originally, it's not "a man." Even before she lays eyes on Eric, she expresses a desire to be human and be free of her father's rule. Also, we have another strong female villain.
Negative: This movie fails the Bechdel Test; Ariel and Ursula have a long conversation, but it revolves around becoming human so she can be with her prince. She also needs to undergo a dramatic physical transformation so she can be with him.

Beauty and the Beast
Positive: Belle is smart, brave, and caring. She is a favorite among nerd girls for preferring books and the eccentric company of her mad scientist father over the all-looks-no-personality Gaston. She is not afraid to stand up for herself, first to the beast, and then to Gaston.
Negative: Belle stays with a man whose behavior borders on abusive, at least in the beginning. She believes that she can change him, and it works. Girls, DO NOT TRY THIS AT HOME.

Aladdin
Positive: Jasmine knows what she wants, and is not afraid to tell anyone. She is determined to marry someone she chooses, rather than let her father force her into an arranged marriage. She escapes from the palace to experience life as a commoner--without magical intervention.
Negative: Name one other female character in the movie. There isn't one...unless you count the genie in drag. Jasmine has to stand up for women's rights, because she could very well be the only female in all of Agrabah.

Mulan
Positive: Mulan is driven by a desire to save her father and prove her own worth. She goes undercover as a soldier and ends up saving the whole country. She is a definite action hero. Also, she is the first Disney Princess to have a mother and grandmother who are still alive and present at the beginning and end.
Negative: They just had to throw a romance in, didn't they?

Brave
Positive: Merida does not wait around for anyone to solve her problems. She is not afraid to try different solutions when she dislikes her options. The central plot of the movie revolves not around Merida and a love interest, but her changing relationship with her mother. Both Merida and Elinor come out of the movie as stronger, and their relationship has reached a new level of understanding. She is also determined, like Jasmine, to avoid arranged marriage...and unlike every other princess on this list, is happily single at the end of it all.
Negative: They just had to make her a princess, didn't they? Also, Pixar has been making movies for almost 20 years now (yup, Toy Story came out in '94) and it took them until 2012 to make a movie with a female protagonist.

I skipped over some of the movies because I'm not really familiar with them (Tangled, Princess and the Frog, Hercules). I also excluded Pocahontas, because even though she's included in the "princess" canon, I'm not sure if she qualifies (her father is a chieftain, not a king). Mulan is technically not a princess either, but she appears more often than Pocahontas in official Disney Princess merchandise. If anyone wants to offer their analysis of the movies I missed, or a new perspective on one I've covered already, please do!

In conclusion: Watch the movies with your kids. Ask them what they thought the moral of the story was. Talk about the messages they picked up on, and how those lessons apply (or don't apply) to the real world. Media literacy is an important skill for kids to learn, and how they watch is arguably more important than what they watch.

Movie Review: Star Trek Into Darkness

Star Trek Into Darkness opened this weekend! Hubby and I saw it last night. We had wildly differing opinions about Star Trek (2009). I loved it; he hated it. I went into this one excited, and he went along, by his own admission, for my sake and because he wanted to point out all the flaws afterwards. Into Darkness does have some flaws, even big ones, but we both agreed that it is overall a good movie. Well, Jason said it was "okay," but he also said it was "way better than the 2009 movie."

I'm going to begin my review with my spoiler-free observations, and then head into a discussion of the plot.

First off, this movie is shot much better than ST09. The lens flare is toned down quite a bit, where it is no longer the main camera effect. The camera shots themselves are also much more stable. It's good to know J.J. Abrams can keep the camera still for longer than half a second. I also like the continuing nods to the original series (though I'll discuss that more in the spoiler section). We got mention of the Gorn, Tribbles, and Harry Mudd, as well as Section 31 from Deep Space 9.

The acting was excellent. Jason pointed out Noel Clarke in an early scene, also known as Mickey Smith from Doctor Who (side note--season 7 finale this weekend!). Benedict Cumberbatch is excellent as John Harrison, the main villain. IMDB gives his character's real name, so go there if you want spoilers. Peter Weller as Admiral Marcus has some great scenes too. The main cast is just as good as they were in ST09. I especially enjoyed Chris Pine's performance. It was good to see Kirk get some actual character development. It was nice to see Nyota (Uhura) have some action scenes. Infinitely better than, say, dancing around in a skimpy costume to cause a distraction.

I'm looking at you, Star Trek V.

Oh, and this is a minor spoiler, but I was glad to see that someone at Starfleet finally decided the chairs on the bridge of the Federation flagship should include seat belts. Seriously, I know they have artificial gravity, but with all of the times we see people on the bridge getting knocked around, they needed seat belts badly.

Jason and I agreed that the opening scene was needlessly stupid. If a submarine can't go into space, why should a starship be able to go underwater? My other complaint about the movie was the way they handled things at the end, which will be discussed in the next section.

Overall, I'd give Star Trek Into Darkness 4 out of 5 stars.

HERE THERE BE SPOILERS

You have been warned.

I can understand why they decided to put Khan into the movie. He is the most iconic villain from the original movie continuity and, as Spock Prime points out, he was their biggest foe. They handled his character very well, both in terms of writing and acting. I can even buy that Kirk sacrifices himself to stop Khan and save the ship.

But did they really need to create the exact same circumstances from the end of Wrath of Khan? There were just way too many similarities. It went from feeling like a nod to the original movie to saying, "We couldn't think of anything original. Watch Wrath of Khan with Kirk dying instead."

And then they didn't even follow through with it! I'm still not sure whether I think this is good or bad. On the one hand, it undermines Kirk's sacrifice and shows that Abrams is still playing it safe. Plus, it would be very interesting to see how everyone goes on without Kirk. On the other hand, I didn't actually want to see him dead. Spock's death in Wrath of Khan is ultimately undone as well, so maybe they're combining the endings of II and III? I suppose what I would have wanted was for someone (probably Spock, to tie in with the opening) to save Kirk after he has shown he is willing to sacrifice himself. I would also have created an entirely different circumstance for Kirk to put himself in.

I am very intrigued by the idea of the militarized, possibly evil Starfleet. Admiral Marcus was such an evil slimeball that I almost wasn't sorry when Khan snapped his neck. I felt bad for Carol, though. Good to know she's made of tough stuff. I suppose the next movie will have to feature this "inevitable war" with the Klingons. Maybe they'll bring the Romulans in, too. I would love to see the Federation and the Romulans team up; ever since I read Diane Duane's Rihannsu series I thought it would be great to see some ties established. Maybe they can even bring in Ael. Wishful thinking, I know. I would love to know what Diane Duane thinks of the new movies.

Here is another unlikely prediction: the Borg. They have shown up in every series but TOS; they even appeared in the prequel series, although they were never named as such in order to preserve continuity.